The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
一如既往的99.9电影，但是预告片有点过于欺诈，案件有点强行正能量洗白了，前两季的女主客串也有点强行了；とろサーモン村田的演技有点拉了……
一🌟给末子，一🌟给西岛叔，一🌟给道枝。（常见问题）日剧电影化后，电视剧思路的剧本不足以支撑两个小时的时长，就开始用名配角来填充画面了。BGM响起的时候泪目了！
案子不咋地 杉咲花人设太吵了 dzjy演技不可
剧情推理什么的还是很弱，螳螂叔也太可爱了，杉咲花的笑声好鬼畜啊，像市场大妈又像鹅叫
润和米七！！！双厨狂喜！！！
行 奈奈回来了不容易 就不能把女主换回来吗
ed我整个就是一个触动dna 永远喜欢阿拉希呜呜呜呜呜呜
很喜欢这种温馨的日剧啊，从lemon miu404再到99.9。很舒服的画风和剧情。
案子离谱又气人，村民们为了所谓的保护孩子未来，把善良的人迫害到家破人亡，还毫无悔改之心，犯罪者侥幸逃脱制裁，留下鳄鱼的眼泪。剧情真的很弱，全员归位唤起了一点点情怀。
没想到杉咲花跟99.9的适配度百分百💯我们小律师太可爱啦！奈奈和文乃也来客串，助理组合全员到齐🫡虽然最后的犯人和动机属实有点子无语，不过整体还是还原了剧的风格，基本满意❤️期待小律师更多作品！(ps. michi也好可爱！继续提升演技吧姨姨看好你)
同样是群体犯案，为了包庇两个不懂事的小孩去伤害另外一家人，这种沉睡了15年的真相真是比冷笑话还冷。谐音梗一如既往，只是律所众在沙雕路上走得太远了……
本来不喜欢文乃，在杉咲花的衬托下，文乃可真是太可爱了。另外，居然才发现哈哈哈哈，日本跟我们关于法官检察官当律师的规定不一样嘿哈哈哈哈哈
拍的挺好的，下次别拍了（松本润还是那么帅）
一🌟给末子，一🌟给西岛叔，一🌟给道枝。（常见问题）日剧电影化后，电视剧思路的剧本不足以支撑两个小时的时长，就开始用名配角来填充画面了。BGM响起的时候泪目了！
看完的第一感想是这个案件真的很令人唏嘘 还是熟悉的小律师那个调调 老熟人们也都有出现 而且出现的恰到好处 西岛叔真帅啊 演技真好啊 润润也很棒 米七再加把油吧（对比真的有点明显）故事收尾的也很不错 事实就是事实啊
喜欢榮倉奈々 今天竟然去电影院迟到了 好尴尬额w
看这个纯看爽片，2小时真的太过瘾了，两代女主都出现真的很欣慰
哈哈，真的有人演戏情绪表现只会皱巴个脸吗。好想念荣仓奈奈
SP的续集，但是案件太离谱，被冤枉的人在村里到底人缘是有多差，才会被全村人抛弃？好像除了男主，其他人都在嘻嘻哈哈根本没有在用心破案。女助手太平民，还是喜欢木村文乃。
看演员知道凶手系列。既然是电影版能不能砸点钱搞点大场景，这跟SP加长有什么区别……
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