Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
我简直爱死校园音乐电影了，更别提主角团看着都那么顺眼，结尾的表演也很炸。ps:艾西斯有点暴躁病娇的范让我看到了海伦娜的影子。
反派都是高颜值
仿佛看见了哈利波特还有贝拉。。。哈利波特重生之校园金属狂潮
鼓手打的不错，那套鼓也不错，国内奔着十万以上走吧，主唱片尾的那段solo挺好，然而除上述之外，片子不再有其它出彩的地方。音乐总体一般，完全比不了“重金属囧途”，故事很硬，还选了高中生作人物，整部片子不温不火，没多大意思，音乐也没多大意思。
《重金属天团》近期让我最惊喜的电影！先说一下剧情，其实没啥剧情，就是欧美青春片的套路剧情，但是欧美青春电影看着就是很舒服，而且这一部明显比其他的高级，抛开那些欧美惯用的物质的，欲望的，蹭热度的，也不是那种歌舞喜剧青春片，就是一个痴迷重金属废柴拉了一个打军鼓的废柴，最后带上一个古怪女大提琴手，竟然真的玩成了！
身为金属🐶，能再次看到一部关于金属乐的电影真的开心，虽然剧情老套且还挺烂，远不如“重金属囧途“好，但听到熟悉的歌曲与熟悉的海报，还有泳池几位大佬的客串真挺开心。希望以后多来几部如此的电影好！(有大提琴最出名的乐队就是Apocalyptica了)
我真的很爱看这种影片！可以说是从头到尾都看得很开心了。
中规中矩青少年音乐爱情友情成长片儿 就是给黄老板的歌儿唱的也太难听了叭
同类电影里，剧情略显老套，但看着舒服。即如很多金属乐里的老套和弦，听着就是过瘾。
想给三星的，但还是给了4星。感谢电影唤醒了我的耳朵和灵魂。
简单的故事 几个学生组个乐队 从不受欢迎到上新闻头条 其中还有内讧和好谈谈恋爱的戏码——真不知道这样的电影要怎么拍才能不好看！哇！太激动了！摇滚真是个很有魅力的东西！特别看到Hunter最后乐队争霸里那段电吉他solo 真让我鸡皮疙瘩起之余我也跟着飞起来！当然Kevin的鼓也是帅 婚礼那一段还有自己在音乐室练习开始穿黑衣服的一段也是极其的燃！Emily其实挺美的 皮肤又白眼睛又大 动不动就发火扔东西骂人我一开始就想这性格还不重金属吗哈哈哈哈 她把乐队名字改【Fucker】改为【Flower】这个创意超级棒拍手叫绝！还有另外那个乐队的主唱也超级甜人又好（Hunter说输给他们没所谓他们是好人那一刻我感觉到了其实美国学生也很友善的ww）总之这样质量的音乐青春片拍多少我都愿意看！
The cost of freedom is everything.
拍得不错。一看就放不下，二个多小时不知不觉就过去了。自由，无论肤色，无论立场。
几个金属大哥出来说教那段把我笑惨了哈哈哈哈哈哈哈
再差一点就是初恋这首情歌了，但是故事就是差点，剪辑也不太行
影片纯纯按照欧美青春片的套路，但是让人看起来很舒服，相比于其他影片倒显得高级多了，也不能完全算是歌舞喜剧片。引用了许多80年代，90年代的重金属音乐，两个毫不相干的组合却擦出了最绚烂的火花，有点类似于国内的《闪光少女》，但这部影片平淡无奇，没怎么有吸睛的地方，无非就是老生常谈，无聊的时候看一下解解闷还是可以的。
Nflying大战Pantera，最后发现Nflying只是帅、不是人不好……Hunter太可爱啦QQ內内呜呜呜重金属的最后一个处男
非洲无烂片。这1980年的南非看起来比我们现代化多了。
关于自由与信仰的故事，最后悲壮的结尾令人唏嘘，What’s the price of freedom? Everything !，多么沉重的一句对白，感同身受
还不错看！长发男挺神经的，自作自受，但是确实挺适合玩重金属乐队的！歌曲挺high！
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