James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
还行吧。仓库那段戏台本演技都太尴尬了，气氛营造不足，镜头也很平铺直叙。换我来拍，老公醉酒那一幕肯定要换个方法，斜着给特写，给几个模糊镜头的快闪，然后对焦由近到远，接着突然一只手摸过来，在放大加强的水滴声中惊醒...
给五星鼓励下吧，叙事逻辑有点问题，但是比很多网剧好多了，爽就完了
脉络清晰的小成本电影，拍成这样真的很惊艳。
居然是个网大？你让那些恨不得负分的洗钱之作，颜面何存。景色很美，故事有细节，虽然有很多不完美，但是就像刚刚看到的，国产小成本做成这样，这种认真的态度不值得褒扬和祝福吗？！
ps剧透:
脉络清晰的小成本电影，拍成这样真的很惊艳。
看片前知道了是copy《彗星来的那一夜》，于是每一步都能猜到了。不过国产小成本，完成度还不错，值得鼓励。
2梦境，颅内出血48h
作为一个成本只有100万的小制作真的不错。有遗憾也有惊喜。
但确实能感到导演在用心用力在拍了，鼓励一下吧。
三个演员竟然也能拍出科幻片，实属国产牛逼。没想到导演竟然也在b站驻扎。
尤其是男演员，让我想到了一些老版单机游戏里的npc。。。
在这记忆的平行森林里面，你会选择哪一种成为你的心理救赎呢？“我对付得了野猪。”可我对付不了我自己
灵感来源于《恐怖游轮》+《彗星来的那一夜》吧
不算缝合怪，不过也比较多地借鉴了《彗星来的那一夜》和《恐怖游轮》。影片有很多坑没填上，但如果结合开始的医院抢救情节和最后的终止声，把整部电影解释为女主弥留之际的梦境，似乎也说得过去。总之，作为一部小成本网大，能够拍成这样也算不错了。
本子还行，设定拉垮，看不下去。彗星来的那一夜
基本沿用了彗星来的那一夜设定，男主演的比女主好，整体质感还挺不错的，值得一看。
没有彗星来了那一夜的疯狂，但是比彗星来了那一夜要内敛。
设定新奇，结局也给人以开放和遐想，小成本做到这样已经比所谓的概念大片强太多，还是多多支持鼓励
没有彗星来了那一夜的疯狂，但是比彗星来了那一夜要内敛。
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