With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
像两个有超能力的僵尸互相打来打去。整体剪辑还算流畅，比毒液2好一点。
这部电影看起来剧本像是上个世纪末按照当时的超英电影的标准写的，因为没本事做特效，所以留到今年才拍好。2022年了，我真的不想再看丑吸血鬼！！！我想看好看的吸血鬼！！！穷人靠变异，富人靠科技；靠科技变异怎么说？
格局太小了，一点也不漫威！一共就四个人，男主和兄弟、前辈、女人
？？？？？？？？这是什么没有个性的超级蝙蝠蜘蛛侠，我想看Matt Smith当主角倜傥吸血鬼
生搬硬凑，感觉就像为了推出Morbius这个角色硬拍了这么一部电影！怪不得口碑扑街，漫威第一扑街片！特效还行，女主复活了，结尾又来了个秃鹫，只能期待续集了！
很一般，感觉就像是快餐式的超级英雄，恨不得马上就建立起来一个宇宙
怎么说呢？主角团和配角团的互动都没啥大问题，但是逻辑方面真的存在着天坑一般的漏洞，莫比亚斯的反英雄角色过于唐突，感觉导演把莫比亚斯拍成了一个大善人了。
感觉不如和毒液2一起省下来重启超凡😅
主要是故事没逻辑，人物行为说不通，但其实和其他超英片质量差不了多少。
🆘我真的不想看两个丑鬼打架😭
看这个时长就隐约觉得不妙，果然剧本稀烂，就这可别叫板蝙蝠侠了，还拉来迈克尔·基顿这昔日batman，漫威现在真是连简单的快乐都提供不了了，真是浪费了吸血+基情的题材，也就女主的颜值可以看看，另外莱托现在是怎样，专门致力于让大家在片中看不出来自己么。
当年看完超凡2对邪恶六人组满怀期待，如今被索尼的傻瓜电影策略搞得胃口全无。强贴蜘蛛侠，真就连彩蛋都不会拍。
故事有点平庸，或者说太简单了，相比这么一个反英雄角色，或者本可以拍的更好一些，莱托少爷演的还行
前面三十分钟描写小时候情感真挚，莫比乌斯头脑聪明和已有黑化前兆的麦隆都栩栩如生，身患绝症的脆弱感更吸引人。直到莫比乌斯变身后简直是灾难的开始。哥哥打了研究出来的药，变成怪物。不给弟弟用也不给弟弟解释。弟弟偷偷用，开始杀人，哥哥被抓进牢。哥哥越狱，和弟弟打，哎，打赢了，弟弟要屎，屎前还煽一把情，向黑豹学的痕迹不要太重。这剧情简直和女主的演技一样扁平。BGM糟的一比，简直乱配的。特效也就慢动作+泼墨？不知道这泼墨特效想表达什么。警探两个角色有跟没有似的。浪费了这么多好演员。拍了个啥玩意啊。实在是辣鸡的一比。
索尼是不是只会这种特效，毒液的时候感觉很新鲜，到了暗夜博士还是这种。从头到尾都在纠结反派为什么要一直穿运动鞋，我是毒液那里笑了hhh
之前说的“史诗级”的烂片其实有些言过其实了，本片充其量也就是毫无营养，毫无感情的一部同质化超英罢了，一小时四十分钟的内容感觉没讲什么事情，脸谱化的反派自然也是阅后即忘的那种类型。
跟《毒液2》的结构太相似了，仍然是除了特效和演技一无是处的电影，剧情太过尴尬，配角毫无存在价值，以及反派塑造的性格前后变化太大，有点生硬，莱托的气质还是蛮符合的，彩蛋比正片精彩，片尾字幕画面的迷幻居然是我喜欢的点，好家伙
相同的故事在《毒液》中已经有了一次且那里更加幽默。全片场景充斥着近年来流行的成本不高又要打造质感的氛围，走马观花到和Hallmark式温馨简直是两种极端。值得夸夸的是对于声波的涟漪特效做的实在是太好看了，行云流水的缓缓流淌！真心不知道为什么类型会归类到“恐怖”。Jared Leto可能对于超级英雄或者反英雄角色电影都水土不服，DC/漫威双料踩雷。Matt Smith太帅惹惹惹惹惹惹，打开DoctorWho这个大坑的理由又多了一些哈哈哈哈哈。wiki上说本片受到影评人对写作、视效、“尤其是彩蛋（今日英语学习mid-credits scenes）”的批评哈哈哈哈，确实彩蛋超级超级无语。
可以说没什么惊喜，特效有了，打斗却不行，太水了。主角明明比男二更快觉醒，更熟悉技能，即使不想杀男二，也不可能完全被男二吊打呀。最后的决战，主角就那样召唤一堆蝙蝠，来一个龟派气功就压倒男二？男二明明比主角迅捷，还能被主角插中？女主真漂亮。FBI反应真迟钝的，男二杀了这么多人，才想起找摄像头。全篇过多的篇幅叙述超能力的获得的过程。有趣的场面太少。光是看着都能猜到接下来的剧情。平平无奇。
挺无聊俗套，如果说这种片子好看那就是在纵容，越来越喜欢没有超能力的超英
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