Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
看十分钟就能猜到所有剧情的可爱电影 KP缩写出来我还以为是king princess 以及有girl in red就没有理由不打五星 少点虐恋的校园wlw请更多吧！
只能说真的很想在BFI IMAX的幕上看《史前星球》啊！食肉牛龙和食蜥王龙那里没打起来我已经忍了，最后霸王龙和巨兽龙还没过两招就草草收场了，也太不尽兴了吧！不懂到底要干嘛，文武两头儿是都没顾好啊。现在回想还是这个系列的首部比较良心呀… @BFI IMAX
酸酸甜甜小情侣。立夏最后的吐槽就是观众的心声吧——总共才4个人的小乐队居然两两配对了，你们不完蛋才怪呢😓
在影院如坐针毡，好久没有过这种体验了，居然给我看困了，中间一度以为在看007，就算是流水线作品好歹也要有点流水线的水准啊。
剧情大概是新老主角团相遇之后才变得有趣的，前面差点给我看睡着了💤
Gosh I miss college!!!
为我的绝世好攻上山立夏爆灯！妈妈爱你！作者终于想起这对情侣了吗？别再回忆ex了好吗！我知道真冬曾经很爱他，那么多篇幅已经够表达了，再沉溺于过去，现在和未来都会失去的！！
体感是别扭！你说小上单细胞直男思维吧，但是他又吃秋彦的醋，这点很莫名。我不认为他会因为真冬不及时回复这点生气，毕竟他对真冬在自己家提到前男友的钟却无视眼前的自己都那么大度，很有违常理…立夏真的是个温柔又有才华的好孩子，可以理解对爱情懵懂又患得患失，但总感觉这是因为两人之间的频率还是不在一个点上。好笑的是，不善于表达的立夏反而努力表达了心中所想，真冬就..恨铁不成钢，虽然也有要放下过去的感觉，但看这两人相处真的很累，发糖的地方也缺失我想看到的那种纯甜..我还是站小上的事业><！！小上将来一定会做出更棒的音乐！给小上的颜值加一星<3333
所以你们能不能把扭扭捏捏不知所云的时间用来亲嘴或者doi啊？这是演了啥？
有某观众很嫌弃的前任情结，但这个观众又很欠地要看。这个观众是谁我不说。
可真是难看啊。以及反派好像Tim Cook。
恐龙跑不过飞机，跑不过汽车，跑不过摩托车，跑不过马，更跑不过人！速度不行还不是最离谱的，力量还不如人，套索一拉就被捉住了！如果人类真的到了可以无性繁殖的那天，女性是不是就可以与男性平等了？
但很温柔地，在教室里真冬紧紧抓住了离去的立夏；很温柔地，立夏把真冬抱进了怀里；很温柔地，在篮球馆背后相遇的楼梯间里，真冬攥住颤抖的手将勇气唱给立夏，坚定而勇敢地做出回答；
连着两部甜甜的teenager love呜呜呜妹妹真可爱啊
六部曲全家福拼盘，每个人物和恐龙都出来露露面，戏份分配很平均。Claire贴着水面躲避恐龙、恐龙咬住梯子周围铁笼、城市跑酷的那种对巨兽的恐惧感，霸王龙现身演绎经典logo，还有很多前几部片子的小梗，这样一些让人会心一笑的小瞬间能让我这样不喜欢恐龙、对这个IP也没啥情结的普通观众也有点感动了。太久没在电影院看好莱坞片了，看的过程还是很快乐的。恐虫、密恐者慎看！龙卷风一样的巨大只虫群！又见生物科技公司研发项目玩过火差点毁灭人类，反派也太像Tim Cook了，这么多人居然只有boss挂了哈哈哈。
敷衍咱们女同是吧！感觉我到了五十岁还爱看欧美青春校园爱情片，狠狠嫉妒他们的校园生活，把我空投到片中的世界ok？
好可爱的电影，两个女主都是我会喜欢的类型，看得很快乐！
看过最好的青春小众性向电影，非常共情。女主家庭氛围好羡慕。aj和女巫姐姐简直是我的理想型😍😍
夏冬组快点把乐队事业搞起来，不要沉迷谈恋爱，春秋组可以谈谈恋爱，反正贝斯日常也听不见www
相比前作，剧情Bug的地方确实太多了。很多部分，特别是马耳他的段落，还以为在拍《007:恐龙帝国》，老版《公园》三人组凑齐的原由居然是个“麦高芬”……
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