Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
感觉没啥意思，趣味不大，70年代色情片拍得倒是蛮好。
我竟然在一个R级血浆片中看到了关于老年人性需求的探讨！
5.0分。影像上特别有质感，可惜的是也特别无趣。它想走或者本该走的大概是徐克版《智取威虎山》的路子，用武侠片的方式包装一个民间抗日故事，结果走成了低配版的《悬崖之上》，却连基本的起承转合悬念感都没有。《悬崖之上》还只是把一个片子拍成了两个故事，这部电影是把一个片子拍成了一堆情节，单看都还凑合，连起来就很难熬。
很平淡，很啰嗦，一个传奇文本被冗长的叙事拉坏了。
五星给英雄们，给范伟的演技。有信仰的风骨。
肃杀的雪天像极了《悬崖之上》，不过一到谍战片就下雪，有点审美疲劳。故事因为太过熟悉，情节改有点跳戏。范伟的表演的确可圈可点，但是因为他的小品总觉得有点搞笑。不过还是致敬铁道英雄们，他们为了反对日本侵略者，付出得太多，可歌可泣
看预告片怎么有种悬崖之上的感觉，看完之后感觉还是导演差距太大了，过年的狙击手应该不错
片尾曲的声音 亲切好听呀
老俗套了，烧锅炉那里智商税太高。勉强及格。
红色经典翻拍很难，的确有些成功的样板戏，但是都一个套路叠加就成了大乱炖的缝合怪啦，哎，就不要再毁童年啦
画面优良，老戏骨给力，只可惜情节上有些单薄了。不论是和鬼子斗智斗勇，还是夜雪爬火车，都欠点意思。感觉导演力求一个“稳”字，却失去了当年英雄们的闯劲
【2.0】又俗又无聊，也就靠jump scare吓吓人。
除了过于平庸的故事，片子仅有的优点就是几处没有剪辑的伤残镜头。噱头电影和三级片演员的关系永远都是旧瓶装新酒。
就比起老洪队长的正面，老王这个小人物的反转感觉更加有魅力，无论最开始的点头哈腰的狗腿子还是跟周政杰的父子情，还是最后英勇就义的正气高光
女演员都难看，剧情老套，无外乎就是荒野人家，对来客大屠杀的那一套。
护士笔墨太少，完全是打酱油的角色，番位诈骗。谭凯可惜了，他的角色明显比魏晨后面那个角色有意思，但没办法，没流量和背景嘛，同样类比华谊和博纳最近两部主旋律影片的市场反响对比，2021年了，你还拍抗日？它漂亮国大爹现在都得跪舔兔子！
几个镜头和段落还可以，但整体还是挺无聊的其实。
除了海报上的两位主角，其他的人物确实有点薄弱，但影片的年代感和氛围也确实营造得不错，抗日英雄的血泪事迹很感人，却不煽情。
拧巴的片子，导演放了姜文讽刺的梗。谁？我。还有几处也像，但片子能力密度实在太低了，但也比丁晟的好。
表面的一些工业化的东西让人看下去，内核里的东西让人看了跟没看一样。
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