Mumbai, the sprawling metropolis, the economic capital of India is synonymous with ambition and a drive for professional success and money-making : something Rahul possesses in ample amounts. Working in a BPO he has found out a sure-shot way to his promotion - the key to his uncle's apartment where he is the house sitter. His colleagues and superiors use the apartment for their sexual escapades and return the favour to Rahul by offering him job incentives and promotions. Rahul loves his colleague Neha, but he's shocked to find out that she is in love with their boss Ranjeet who is a married man and on top of it they use Rahul's apartment for the purpose of their secret dalliance. On the other hand, Ranjeet's married life with Shikha is on the verge of collapse. Unaware of her husband's infidelity, Shikha finds solace in he company of an aspiring actor Akash and their friendship threatens to blossom into a full-fledged affair which might shatter the foundation of Shikha's married life. Meanwhile, Shikha's younger sister Shruti is searching for a suitable groom for herself through marriage portals, and it's then that she meets Monty. She harbours an instant dislike for him but may find out in the course of time that opposites attract, after all. Then there is the story of Shikha's old dance teacher Vaijayanti who is widowed and lives in an old age home and her former love Amol who rekindle their romance in the twilight of their lives, against all odds. The turmoil these relationships go through force these people to make some life-altering decisions.
切入点是可以的，然而在如今这个时代只会让人emmmm，害
可惜了，K的仪态与表演习惯是巨大的问题，而传记片恰需要主角既有纤毫毕露的细腻，又有雷霆万钧的声势。
戴安娜是精致牢笼里的囚鸟，斯宾塞才是她渴望的自由。ps：美术好评，有点韦斯安德森内味了。
4.5⁵
相比静态的完美剧照，Stewart一开口表演细微控制还是差一些，不过比她以前的表演是强不少，不比照真人戴妃的话还行。Pablo Larrain对戴妃的诠释也没有提供新见解，纯粹是在沉浸表现自我风格。海滩那场戏是唯一比较有感觉的。
不了解这个人物也觉得导演表现主角情绪的方式太做作了，美而空洞，每个镜头都在扯着你的耳朵大喊快看她好痛苦好压抑好不自由，ks的演技也是，每一块肌肉都在努力演戏，但是呈现出的效果是左摇右摆的头，乱晃的肩膀和肢体，以及每句话都像是从嘴里爆出来的台词，观众需要被带入情绪而不是直接怼进嘴里
作为一个戴安娜的粉丝，看这部电影的感觉有些不一样，或许这是克里斯汀·斯图尔特最好的表演，但是这并不是最好的戴安娜，也不是最好的英国王妃#2022奥斯卡阅片倒计时#
总之如果不能让人物跟观众联通，那只能成为猎奇式传记
就看着拉雷恩在做着只有苦劳的徒劳尝试，但谁让咱是小K的老公团成员呢，还是无论如何要加一星的......
Ks的英音有点点尴尬/F*ck the royal family只能说“打倒君主专制”不懂皇家存在的意义是什么，国家的蛀虫吧…只靠吃人民的税金活着/感兴趣的可以去看戴安娜的那个纪录片，看完更生气
把Diana和Anne Boleyn做勾连是一个亮点，我从来没有想过在亨利八世离婚案里，那个被处以叛国罪并被砍头的王后会有什么心路历程。
聚光灯都打在她的身上，压得喘不过气。当戴安娜王妃迷路时，所有人都只是看着，没有一只手指向她需要前往的地方。不过至少最后，她和那群雉鸟都逃出了这高高的，隐形的宫墙。小K演得像不像我不敢妄下定论，但我至少知道，她的一颦一笑，都有足够的感染力与说服力。
偏情绪表达的文艺传记 但美感又一点都不像传记 更像一个人的梦境
年度观影：No 468
三星是因为服化道。观感挺失望的，用力过猛，苦大仇深，更显苍白。
7/10，构思和执行都不错，尤其是视听较为风格化，观影时总让我想起闪灵和柯南伯格的那些早期电影
简直就是小k个人时装秀🤤
怼脸，耸耸肩膀，左右转头，露侧脸，反复如斯，我像是在看她为Chanel高定拍广告拍封面而不是拍电影。
The rebirth of Luchino Visconti
摄影和配乐无疑很出色 可以看出小K真的是很努力在塑造这个角色…演技确实比暮光时代好很多 但口音和神态无可避免留下了比较明显的模仿痕迹 尤其和剧版王冠里的戴安娜比起来处于下风
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