The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate.
The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film.
The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches".
Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.
咋突然就開始穿西裝上班了呢？整個就一小崔西裝秀啊！
“本来可以拍电视剧确拍成了电影”系列，信息量爆炸。血书请求两位男主人公二搭！！！
就真的是个温柔小品，而已。乔治克鲁尼就还是当制片人啥的挺好的。
这片也太无聊了，全程没啥刺激的地方，看的人想睡觉
故事从一开始就各种似曾相识，从走投无路的怨母稚稚子，到事业爱情颗粒无收，甚至单亲妈妈的恶性肿瘤以及从爱阅读到励志作家这样的细节都是老桥段，通篇看完毫无新意……但，就是处理得细腻，就是能再同一处伤上反复揭疤，让自己看了依旧感动。
有些时候略显冗余，但是Uncle Charlie被描绘的太美好了，我真是暗戳戳给暖到了！最后JR开车那段好自由，这一刻他就是作家。
韩国最正义的只剩这群拍电影的了呗。无聊到一个月内不想看韩影了
冲着《信号》的警察大叔来看的，我觉得没意思，乱七八糟的，浪费两个小时。
观感还可以，韩国人拍警察电影确实比较擅长，描绘人物、剖析社会内涵都还不错。
这还真是一部一般的电影，除了一般，没有更合适的词来形容这部电影。
叔叔带娃，所有带娃改变人生的片子我都不感冒
打破对父亲的滤镜 那一刻男主十几年的包袱都好像放下了
男人都需要这种榜样和模范去教他成为一个真正的男人。
远离老爸 原来运动 。。。
男人成长需要坐标，更多的是需要指引和男人间那种独特的鼓励
很温馨的一部片子，美国梦，怎么做男人，怎么成功！大本演的真好
话说回来，有大本这样又帅又酷的舅舅，怎么养了这么个小舔狗？
还要大赞永远的克里斯 罗伊德 一场在沙发上与女儿讨论小盆友未来的争论 一次正装参加小学生亲友聚餐 。。。不到10分钟的演绎 就让一个坏脾气 却热爱家人 受过高等教育 又固执别扭 老头子形象跃然屏幕
一个好平凡的故事 不知道有什么意义表达
上层人士各种生活零碎与自我感动 看这种片子简直是浪费时间 @2022-01-27 22:15:50
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